![]() ![]() Hand-positions, angle of the fingers, type of stroke, use of the nails, arpeggio technique, special effects-are there in terms which are directly relevant to the modern player. No major changes have taken place since his day. It may seem surprising to some but it is true, that all the essentials of today ’s guitar technique are already in Aguado. ![]() For example, Brian Jeffery, in his introduction to the Tecla edition of Aguado ’s New Guitar Method, writes: In his 1982 Guitar Review article “The History of Apoyando, ” Matanya Ophee concluded that Fernando Sor and Dionisio Aguado used rest stroke.(1) This conclusion quietly settled into the guitar history paradigm. This is particularly likely in the field of guitar history, where research into any given question is often left to a handful of people, and conclusions may be accepted with little critical inquiry by the guitar community. )įrom time to time, questionable ideas come to be accepted as true. ![]() To download a PDF of this article, click here. Since the author of this conclusion is a well known guitar historian, I felt it necessary to be thorough in my examination. (This is an article in which I examine a widely cited conclusion regarding the history of guitar technique. A closer look at Matanya Ophee’s 1982 Guitar Review article: ![]()
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